
![]() | Monisha Chowdhary as LADY FAULCONBRIDGE, BLANCH, First Executioner |
![]() | Nathan Carlos Clifford as LEWIS |
![]() | Alex Coelho as AUSTRIA, HUBERT, ESSEX |
![]() | Philippe Garcesto as BASTARD |
![]() | Matt Gordon as KING JOHN |
![]() | Kimberly Klein as PEMBROKE and French Herald |
![]() | Catherine Leong as GURNEY, ARTHUR, PRINCE HENRY |
![]() | Andrew Matthews as CHATILLON, Messenger, First Citizen, CARDINAL PANDULPH |
![]() | Bo O'Connor as ROBERT, English Herald, SALISBURY |
![]() | Brendan Rothman-Hicks as KING PHILIP |
![]() | Elizabeth Ruelas as CONSTANCE |
![]() | Crystal Shipp as QUEEN ELINOR, MELUN, PETER, Bigot |
![]() | Shana Solomon Director 'Mad world, mad kings, mad composition!'
-King John (Act II, Scene i, 587) In this election year, King John
undoubtedly has a timely appeal. In Shakespeare's lesser-known play,
a portrait of Europe's power-players, in which devious papacy, the
reviling French, and the divided English are presented- and all come
off poorly. Sound familiar? It's incredible how timely this play
is. Illuminating the darkly comedic nature
of the play along with the themes of legitimacy, loyalty, and powerful
mothers, our interpretation of King John will explore
the corruptive nature of power politics. The story follows King John,
a changeable, mother-dominated, paranoid and opportunist sovereign who
has taken the throne of England. A rival claim from John,s child-nephew,
Arthur, is raised and supported by France. Intent on keeping the crown
to himself, John declares war on the French and initiates an often farcical,
always bitter feud over who is the more legitimate heir. Acting as an engaging commentator, the
character of the Bastard, a country boy and the illegitimate son of
Richard the Lion Heart, guides us through an incredibly surprising and
compelling journey through war, murder, envy and revenge. As Ben Brantley notes "History has
a way of wiping the smirk off the faces of dim monarchs." Join Shakespeare Saturdays this fall and see it in action! |