Guest Director: Jerry MarcoOctober 13, 2007 at 1:00 PMThe Enemy of My Enemy Is My Friend |
![]() | Kesh Baggan as DUKE HUMPHREY and CADE DUKE HUMPHREY: Lord Protector of the realm until forced to give up that position by the machinations of the Queen, Duke Humphrey is next in line for the throne. The only character whose motivations are purely for the good of king and country, he is nonetheless accused on trumped up charges of treason, and murdered by the conspiracy on the night before his trial. Duke Humphrey is the best of the best. Cade: Set on to lead a rebellion by Richard Duke of York, Jack Cade assumes a false pedigree and leads the commons in an uprising with the aim of installing himself as king. In that position, he plans to rule by decree, keep food and drink prices low, make all goods common property, sleep with every bride on her wedding night, and kill anyone who can read and write. His followers are extremely violent, and succeed in making the king and queen take refuge at a remote castle, before they are pursuaded to turn their loyalties back to Henry VI in return for a general amnesty. Starving and alone, he provokes a duel in which he is killed. Jack Cade is the worst of the worst. |
![]() | Keiri Beth http://www.keiribeth.com as SALISBURY / Stafford's brother Salisbury is the voice of reason and moderation in the play. Slow to be convinced, slow to devote his support, once he makes his choice, it is irrevocable. Father to Warwick. |
![]() | Monisha Chowdhary as Duchess / Clerk of Chatham / Saye
Duchess: Wife to Duke Humphrey, the Lord Protector, the Duchess presses her
husband to
depose the weak king and assume power himself. When he rejects this, she
turns to
witchcraft, and ends up banished.
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![]() | Yun Kyung Chung as WARWICK Loyal as his father Salisbury, Warwick is younger and more passionate, but quicker to see the truth. A formidable supporter of York, he is the mover and shaker behind much of the action. Later called "Kingmaker" (in part 3), for his vast political influence. |
![]() | Stephanie Diaz as QUEEN_MARGARET A French woman from a noble yet modest background, she has married King Henry VI as part of a political settlement of the war between England and France, in return for which the English have given up their conquests of Anjou and Maine, and have agreed to an 18 month cease fire. Margaret is ambitious and powerful, and wants to establish herself as the real power in England, successfully conspiring to cause the King's uncle's, the Lord Protector's, death. Enormously frustrated by the King's lack of action, she at the same time sets out to protect him at all costs, because she knows without her marriage, her power will disappear. Openly, but discretely, in love with Suffolk. |
![]() | Margaret Ying Drake as Petitioner 2 / Spirit / One (Townsman) / Neighbor 1 / Herald / Commons / Master / Rebel 1 / Messenger 2 / Citizen 1
Spirit: Cruelly summoned from the underworld to foretell the future.
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![]() | Philippe Garcesto as BUCKINGHAM / Neighbor 2 / Southwell / Beadle / Prentice 2 / Mate / Rebel 3 / Gough / Messenger / Soldier / Edward
Buckingham: Loyalist to King Henry, Buckingham is vaguely aware of the plot against Duke Humphrey. He is ambitious to take over as Lord Protector himself, but never stands a chance among the predators at court.
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![]() | Jason Kendall as KING_HENRY_VI Deeply religious, he occasionally displays great strength and decisiveness. Unconditionally accepts fate. Intrinsically motivated, with an idea that destiny is in control. Feels great guilt because intellectually he knows he could have acted to change the outcome. |
![]() | Catherine Leong as CARDINAL / Neighbor 3 Great-uncle to Henry VI, Cardinal Beaufort is the bastard son of John of Gaunt, and lives up to that pedigree. Deeply resentful of others' power, he is the arch-enemy of his nephew, the Lord Protector, Duke Humphrey. A principal in the conspiracy against the good Duke, he quickly succumbs to York's prophesy, and dies of guilt for the murder, unredeemed for that and for all of his other crimes; the sinful priest; the hell-destined prelate; the Condemned Cardinal. |
![]() | Lawrence Lesher as YORK Claimant to the throne via superior pedigree, York bides his time to take over England; ultimately failing in body, he succeeds through his sons, Edward (later Edward IV), and Richard (later Richard III). Granted the one thing he lacks, an army, he sets Jack Cade on to lead a rebellion, to test the readiness of the Commons to follow a new leader. Conspirator in the assassination of Duke Humphrey, he is subject to his own, and the Spirit's (dissembling) prophesy, but survives this play, only to fall early in Part 3. |
![]() | Derick Locus as Peter / Bolingbroke / Mayor / Servant / Vaux / Gentleman 1 / Rebel 2 / Messenger 1 / Richard
Peter: an apprentice armorer, Peter reports his master, Horner, for treasonously saying York is the legitimate King of England, and proves his point by winning the Trial by Combat.
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![]() | James McKnight as Horner / Hum / Simcox / Stanley / Murderer 1 / Whitmore / Butcher / Scales / Iden
Butcher: The right-hand-man during Cade's Rebellion. In keeping with his
trade he takes
glory in gore. He has a great sense of humor, but a violent nature and vast
cynicism.
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![]() | Amy Lee Pearsall as Petitioner 1 / Jordayne / Simcox' Wife / Prentice 1 / Sheriff / Post / Murderer 2 / Lieutenant (Captain) / Weaver / Young Clifford
Jourdayne: the witch who extracts information from the Spirit in the Conjuration.
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![]() | Adia Tucker as SOMERSET / Prentice 3 / Gentleman 2 York's arch-nemesis, Somerset supports the king's cause mostly because York doesn't. A semi-insider in the conspiracy to kill Duke Humphrey, he is ambitious to take over the role of Lord Protector. He eventually succumbs to the fate prophesied by York and (dissemblingly) in more detail by the Spirit, to die before a castle. |
![]() | Aaron Walker as SUFFOLK / Stafford / CLIFFORD A consummate player of power politics, Suffolk will say and do anything to advance his own cause. He is having an affair with the queen, through whom he hopes to become the power behind the power behind the throne. Amoral, he has a vast emotional range: love; lust; terror; pride; ambition; anger. A conspirator in the murder of Duke Humphrey, he eventually succumbs to the fate prophesied by York and (dissemblingly) in more detail by the Spirit, to die by water. |
![]() | Jerry Marco Director
What am I nuts? I'll just come out and admit it now: Henry VI Part 2 is a monster of a play. And yet, we know this work from early in his career was one of Shakespeare's most popular. It was acted frequently in the early 1590s, when troupes consisted of 8 to 12 permanent members, who hired a few more actors whenever they needed to. We know plays were acted with a minimum of props, scenery, and especially, a minimum of rehearsal time. And we know the "two hours traffic of the stage" was a fairly accurate description of the length of performances. Maybe I am nuts, but be that as it may, I know Shakespeare Saturdays can pull this one off. The number of characters seems daunting, but it becomes less so when you see there are only about eight who have a continuous presence throughout the play, corresponding well to what we know about the size of Elizabethan troupes. It becomes easier still once you realize most of the rest show up in distinct episodes: the Trial by Combat; the Conjuration; the False Miracle; Jack Cade's Rebellion; and so on. And certainly not coincidental, is the fact that most of those episodes have just five characters. There are smaller roles and supernumeraries, of course, and one awkward scene in which nineteen characters appear - but you know what? In that 19-character scene, five characters from one episode are brought in at the beginning, then dismissed; then later, five characters from another episode enter! Shakespeare meant them all to be played by the same people. In building a casting chart with sixteen actors, I have taken advantage of the great variation of length and difficulty of the roles, to construct opportunities for performers of all levels of skill and experience. The actors playing the King, Queen, Duke of York, and Earl of Warwick will play no other roles. If, as I hope, we find an actor with considerable training, experience and skill, who is capable of doubling as both Duke Humphrey and Jack Cade, it will be a great challenge for him. But opportunities to display virtuosity will also abound for the 'Gang of Five,' as I think of them; the corps handling the episodic characters. Those actors will play nine and ten characters each - and remember, Shakespeare's characters are always finely delineated. Playing the King will be a great experience for someone, but the Gang of Five can be no slouches. Making the treasonous Horner, the slippery Simcox, the avaricious Hum, the gallantly murderous Whitmore, the gore-infatuated Butcher, and the well-contented Esquire Iden come alive will also be a stretch target for somebody. Three rehearsals are all we have (and that's 50% more than most Shakespeare Saturdays performances get). Here's how it will work. On Saturday the 6th of October, we will read through the play together, gain a common understanding, and work on character interpretations. On Monday the 8th, we will devote the whole time to staging the many moments where the visual will be just as important as the verbal. And on Wednesday the 10th, we will put all the pieces together, the reading, the staging, and we will do it FAST. We only have two and a quarter hours in the space, and we must get through the whole thing in that period. We don't want our friends and relations sitting for hours on the 13th, wondering when we will be finished. Remember, in 1591, the great majority of the audience stood the whole time. The two hours traffic of the stage must be just that, and it will be. Sixty eight characters? You betcha! Sixteen actors? Bwoohah! Three rehearsals? Vvvrrrrrooooooooommmmmmm! And am I nuts? Well, I guess we'll find out on the 13th. Jerry Marco |